Geraniums
Fumio Yoshimura, American (born Japan), 1926 - 2002
1997
Lindenwood
Overall: 32 1/2 × 28 1/4 × 28 3/4 in. (82.6 × 71.8 × 73 cm)
Overall: 33 3/4 in. (85.7 cm)
Hood Museum of Art, Dartmouth: Purchased through the Virginia and Preston T. Kelsey 1958 Fund; the Guernsey Center Moore 1904 Memorial Fund; the Phyllis and Bertram Geller 1937 Memorial Fund; the Katharine T. and Merrill G. Beede 1929 Fund; a gift from Adele Baron Marks in memory of David N. Marks, Class of 1930, with love; and a grant from the Richard Florsheim Art Fund
© Fumio Yoshimura
S.999.12
Geography
Place Made: United States, North America
Period
20th century
Object Name
Sculpture
Research Area
Sculpture
On view
Label
This meticulously carved wooden sculpture captures the essence of a potted geranium. Water no longer flows through the logged lindenwood. Dried and treated, the lindenwood functions as a vehicle for preserving the un-preservable: the fuzzy leaves and delicate flowers of a geranium. Yoshimura described his work as creating the “ghost” of an object, and the white, unfinished lindenwood gives his sculpture a decidedly ghostly pallor. Born in Japan, Fumio Yoshimura taught sculpture at Dartmouth from 1981 until 1993.
From the 2023 exhibition Liquidity: Art, Commodities, and Water, curated by Michael Hartman, Jonathan Little Cohen Associate Curator of American Art
Course History
WRIT 5, Expository Writing, William Craig, Winter 2014
First Year Student Enrichment Program - Cultures, Identities and Belongings, Francine A'Ness, Summer 2023
Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023
Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023
Art History 40.01, American Art and Identity, Mary Coffey, Fall 2023
Creative Writing 10.02, Writing and Reading Fiction, Katherine Crouch, Fall 2023
Geography 11.01, Qualitative Methods, Emma Colven, Fall 2023
Geography 2.01, Introduction to Human Geography, Coleen Fox, Fall 2023
Geography 31.01, Postcolonial Geographies, Erin Collins, Fall 2023
English 30.01, African and African American Studies 34.01, Early Black American LIterature, Michael Chaney, Winter 2024
Writing 5.06, Image and Text, Becky Clark, Winter 2024
Writing 5.07, Image and Text, Becky Clark, Winter 2024
Exhibition History
A Space for Dialogue 1, Amelia Kahl, Class of 2001, Curatorial/Programming Assistant, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 11-December 8, 2001.
In Residence: Contemporary Art at Dartmouth, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 18-July 6, 2014.
Liquidity: Art, Commodities, and Water, Israel Sack Gallery and the Rush Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 29, 2023-November 24, 2024.
Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 26,2009-March 15, 2010.
Publication History
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009, p.121, no.96.
Michael R. Taylor and Gerald Auten, In Residence: Contemporary Artists at Dartmouth, Hanover, New Hampshire: Trustees of Dartmouth College, 2013, ill. p. 94 , no. 83
Provenance
The artist, New York, New York; sold to present collection, 1999.
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