Jan Lutma, Goldsmith

Inscriptions

Stamped, on verso: collection marks of R. von Seydlitz (Lugt 2283) and G. Cognacq (Lugt Supp. 538d). Watermark: Large watermark (crest ?) not clearly decipherable.

Course History

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012

ARTH 86, Senior Seminar in Art Historical Theory and Method, Mary Coffey, Winter 2013

ARTH 86, Senior Seminar in Theory and Method, Mary Coffey, Winter 2012

ARTH 86, Senior Seminar in Art Historical Theory and Method, Katie Hornstein, Winter 2014

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Mary Coffey, Winter 2014

ARTH 17.2, FILM 50, When Media Were New, Katie Hornstein, Spring 2014

ARTH 85, Senior Seminar in Theory and Method, Mary Coffey, Fall 2014

ARTH 46, Northern Baroque Art, Joy Kenseth, Spring 2015

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 2, Introduction to the History of Art II, Mary Coffey, Joy Kenseth, Winter 2019

ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022

ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022

ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022

Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023

Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023

Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023

Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023

Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023

Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023

Italian 1.01, Introductory Italian 1, Giorgio Alberti, Fall 2023

Italian 1.02, Introductory Italian 1, Marco D'Angelo, Fall 2023

Italian 1.03, Introductory Italian 1, Floriana Ciniglia, Fall 2023

Italian 1.04, Introductory Italian 1, Noemi Perego, Fall 2023

Italian 2.01, Introductory Italian II, Marco D'Angelo, Fall 2023

Italian 1.01, Introductory Italian 1, Giorgio Alberti, Winter 2024

Italian 1.02, Introductory Italian 1, Floriana Ciniglia, Winter 2024

Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2024

Italian 2.02, Introductory Italian II, Noemi Perego, Winter 2024

Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024

Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024

Geography 29.01, Global Cities, Erin Collins, Spring 2024

Geography 29.01, Global Cities, Erin Collins, Spring 2024

Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024

Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024

Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024

Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024

Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024

Exhibition History

A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.

A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-March 20, 1988, no. 24.

Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery Museum of Fine Arts, Montgomery, Alabama, July 1-August 28, 1994, no. 89.

From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover New Hampshire. 29 January 2020.

Making Connections at the Hood Museum of Art, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 20-April 14, 2009.

Rembrandt Prints from the Weil Collection, Montgomery Museum of Fine Arts, Montgomery, Alabama, April 10-May 23, 1999.

Rembrandt: Master of Light and Shadow; Etchings from the Collection of the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 8-September 17, 2006.

Rembrandt's Changing Impressions, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, New York, September 9-December 12, 2015.

Publication History

LaRosa, Suzanne, ed., "Rembrandt, Beyond the Brush: Master Prints from the Weil Collection", Montgomery, Alabama: The Montgomery Museum of Fine Arts, 112 pp., Checklist no. 94, March 1999.

Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, p.67, ill. p.66 and p.33, listed, p.117, no. 251.

Stacey Sell, Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery, Alabama: Montgomery Museum of Fine Arts, 1994, p. 13, fig. 12; p. 51, no. 89.

Hilliard T. Goldfarb, A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hanover: Hood Museum of Art, Dartmouth College, 1988, pp. 64-65, no. 24, ill.

Robert Fucci, Rembrandt's Changing Impressions, Koln: Verlag der Buchhandlung Walther Konig, 2015, 156 pp., ill. p.119.

Provenance

Rudolph von Seydlitz, Pilgramshain died 1870; sold to C.G. Boerner, Leipzig, May 20-24, 1912; Gabriel Cognacq, Paris 1880-1951; sold to Maurice Rousseau, Paris, May 21, 1952; R.E. Lewis, San Francisco; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, on January 25, 1983; given to present collection, 1997.

Catalogue Raisonne

New Hollstein (NHD) 293 i/v; Bartsch and Hollstein 276; Hind 290

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