Attack on a Village, from Desseins de quelques conduites de troupes canons et attaques de ville faictes par de la Bella
Gerard Valck, Dutch, 1651 - 1726
after Stefano Della Bella, Italian, 1610 - 1664
about 1671
Etching on laid paper
Sheet: 2 3/16 × 4 5/8 in. (5.5 × 11.8 cm)
Hood Museum of Art, Dartmouth: Gift of Robert Dance, Class of 1977
PR.993.42.34
Geography
Place Made: Netherlands, Europe
Period
1600-1800
Object Name
Research Area
Not on view
Label
This series of prints examines the human effects of the Thirty Years War (1618–1648). Published after the war had ended, these works present a historical record of discrete moments from the long struggle, focusing especially on the movement of troops through unnamed villages and towns. Set in rolling landscapes, the prints highlight especially the suffering of a few figures in the foreground against a background that alludes to the extent of the trauma experienced across the European continent.
From the 2023 exhibition Recording War: Images of Violence 1500 – 1900, curated by Elizabeth Rice Mattison, Andrew W. Mellon Associate Curator of Academic Programming
Course History
Anthropology 3.01, Introduction to Anthropology, Charis Ford Morrison Boke 1, Summer 2023
Studio Art 27.01/28.01/74.01, Printmaking I/II/III, Josh Dannin, Summer 2023
Facilitated Experience: Special Tour - From Goya to Photojournalism, Summer 2023
Exhibition History
Fred Wilson, So Much Trouble in the World - Believe It or Not!, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 4-December 11, 2005.
Recording War: Images of Violence, 1500-1900, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 20-August 20, 2023.
Publication History
Barbara Thompson, Fred Wilson, So Much Trouble in the World - Believe It or Not!, Hanover, New Hampshire: Trustees of Dartmouth College, 2005.
Provenance
Robert Dance, New York, New York; given to present collection, 1993.
Catalogue Raisonne
Reverse copy of De Vesme no. 256
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