Number one of five from the portfolio Stain, from the Discolored series
Berni Searle, South African, born 1964
2000
Digital print with text
Edition 3/20
Sheet: 19 9/16 × 17 11/16 in. (49.7 × 45 cm)
Hood Museum of Art, Dartmouth: Purchased through the William B. and Evelyn F. Jaffe (58, 60, & 63) Fund
© Berni Searle
PR.2002.67.1
Geography
Place Made: South Africa, Southern Africa, Africa
Period
21st century
Object Name
Research Area
Africa
Not on view
Inscriptions
Signed and dated, in graphite, lower left: B Searle / 2000; inscribed, in graphite, lower right: 3/20
Course History
ANTH 50, COCO 2, HIV/AIDS Through a Biosocial Lens: 30 Years of a Modern Plague, Sienna Craig, Timothy Lahey, Spring 2013
HIST 66, AAAS 15, History of Africa since 1800, Naaborko Sackeyfio, Spring 2013
AAAS 11, Introduction to African Studies, Naaborko Sackeyfio, Spring 2013
COCO 2.3, ANTH 50.6, HIV/AIDS Through a Bio-social Lens: Thirty Years of a Modern Plague, Sienna Craig, Timothy Lahey, Spring 2015
ARTH 17.2, AAAS 80.5, Twentieth-Century African Art , Ugochukwu Smooth Nzwei, Spring 2015
Exhibition History
Black Womanhood: Images, Icons, and Ideologies of the African Body, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Looking Backward, Moving Forward: Women Photographers at the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 12-September 19, 2004.
Publication History
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 345, plate 124.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.166, no.135.
Provenance
Axis Gallery, New York; sold to present collection, 2002.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu