The Epic of American Civilization: Migration (Panel 1)

Inscriptions

Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934

Course History

ARTH 63.01/LACS 48.01, Mexican Muralism, Mary Coffey, Fall 2022

ARTH 63.01/LACS 48.01, Mexican Muralism, Mary Coffey, Fall 2022

ARTH 63.01/LACS 48.01, Mexican Muralism, Mary Coffey, Fall 2022

ARTH 63.01/LACS 48.01, Mexican Muralism, Mary Coffey, Fall 2022

ARTH 63.01/LACS 48.01, Mexican Muralism, Mary Coffey, Fall 2022

GEOG 31.01, Postcolonial Geographies, Erin Collins, Fall 2022

WRIT 2.06, Composition and Research I, Doug Moody, Fall 2022

Writing Program 5.08, Reviewing Ourselves: Critical Writing and Personal Values, Bill Craig, Winter 2023

Latino Studies 37.01, Migrant Lives and Labor, Doug Moody, Spring 2023

Geography 31.01, Postcolonial Geographies, Erin Collins, Fall 2023

Writing 5.09, Reviewing Ourselves: Critical Writing and Personal Values, Bill Craig, Winter 2024

Writing 5.08, Reviewing Ourselves: Critical Writing and Personal Values, Bill Craig, Winter 2024

Geography 33.01, Geopolitics and Third World Development, Geneva Smith, Spring 2024

Tuck Facilitated Experience: Tuck School Conference Group, Summer 2023

Thayer Facilitated Experience: Climate Risk Management Group, Summer 2023

Exhibition History

Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.

Publication History

series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.

Katharine Baetjer, Lisa Mintz Messinger, Nan Rosenthal, The Jackson Pollock Sketchbooks in the Metropolitan Museum of Art, New York: The Metropolitan Museum of Art, 1997, ill. p. 65.

Class of 1994, Writing of Seniors, Voces - for class of 1998, 1994

Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993.

Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.

Annette Carlozzi, "Might Could Be" in Terry Adkins Towering Steep, Hanover: Studio Art Exhibition Program, 2003, p.p. 8-10, ill. p. 8.

Nichola Tucker, The Epic of American Civilization as Performative Epic: Student Viewers as Heroes and the Re-Enactment of History, The Collegiate Journal of Art, Spring 2008, Volume IV, 2008, pp. 97-110, ill. p. 99, fig. 2.

Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.170.

Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.52; p.20, fig.41.

Warren Carter, ed., Art after Empire: From Colonialism to Globalisation, Manchester: Manchester University Press in association with the Open University, 2018, pp. 84-89, ill. p. 86, fig. 2.23

Provenance

Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.

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