Matrose und Mädchen (Sailor and Prostitute)

Inscriptions

Inscribed, on reverse, in graphite, bottom center: Original litho von Otto Dix / Martha Dix

Course History

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

ENGL 53, Twentieth Century British Fiction: 1900 to WWII, Brenda Silver, Spring 2013

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

WGST 51.8, The Femme Fatale in Literature, Film, and Myth, Paul Carranza, Spring 2014

ENGL 7.47, Tales of the Avant-Gard, Andrew McCann, Winter 2019

German Club, Winter 2019

ENGL 7.47, Tales of the Avant Garde, Andrew McCann, Winter 2020

ENGL 7.47, Tales of the Avant-Garde, Andrew McCann, Spring 2021

ENGL 7.47, Tales of the Avant-Garde, Andrew McCann2, Spring 2021

ENGL 7.47, Tales of the Avant-Garde, Andrew McCann, Spring 2021

ENGL 7.47, Tales of the Avant-Garde, Andrew McCann, Winter 2022

GERM 10.06, A Visual History of Germany, Heidi Denzel, Winter 2022

GERM 7.07, Babylon Berlin, Veronika Fuechtner, Spring 2022

German 10.06, A Visual History of Germany, Heidi Denzel, Winter 2024

German 3.02, Introductory German (cont.), Heidi Denzel, Spring 2024

Exhibition History

A Space for Dialogue 57, Perspectives on War, Eleanor Stoltzfus, Class of 2010, Class of 1954 Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 5-July 18, 2010.

A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Olivia Field, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18-August 30, 2015.

Constructing Gender: Works from the Hood Museum of Art's Collection, 1500 to the Present, Harrington Gallery Teaching Exhibition, ARTH 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 28-April 22, 2012.

European Art at Dartmouth: Highlights from the Hood Museum of Art, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.

Flesh and Desire [curated by Art History II Professors Jane Carroll and Katie Hornstein], Ivan Albright Gallery, Hood Museum of Art, Dartmouth Collection January 7-March 4, 2013.

Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April-June 2006.

Publication History

Annual Report 2005-6, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, Hanover: Trustees of Dartmouth College, 2006, ill. p.24.

T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, pp. 198-199, ill. p.199, no. 125.

Eleanor Stolzfus, A Space for Dialogue 57, Perspectives on War, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2010, ill. p. 3.

Olivia Field, A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015, ill title page.

Provenance

Charles M. Young Fine Prints & Drawings, Portland, Connecticut; sold to present collection, 2006.

Catalogue Raisonne

Karsch 68 ii/II

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