Barrel Basket
Penobscot
Wabanaki
Northeast Woodlands
Woodlands
collected early 20th century
Brown ash, Aniline dye, Hong Kong cord and sweetgrass
Overall: 12 3/8 × 10 7/8 in. (31.5 × 27.7 cm)
Hood Museum of Art, Dartmouth: Gift of Glover Street Hastings III
181.2.26060
Geography
Place Made: United States, North America
Period
20th century
Object Name
Basket
Research Area
Native American
Native American: Woodlands
Not on view
Course History
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2020
Exhibition History
Native Ecologies: Recycle, Resist, Protect, Sustain, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26-August 18, 2019.
Spirit of the Basket Tree, Wabanaki Ash Splint Baskets from Maine, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 20, 2008-June 28, 2009.
Vermont's Ethnic Heritage 1791-1991, Brattleboro Museum and Art Center, Brattleboro, Vermont, April 23 - August 15, 1991.
Publication History
Robert Shaw, America's Traditional Crafts, Southport, CT: Hugh Lauter Levin Associates, Inc. (Distributed by Macmillan Publishing Company, New York), 1993, ill. p. 117
Jane C. Beck, Always in Season: Folk Art and Traditional Culture in Vermont, Montpelier, Vermont: Vermont Council on the Arts, 1982, 144 pp., ill. p.73.
Robert Shaw, American Baskets, 1st ed., New York: Clarkson Potter, 2000, 216 pp., ill. p. 90.
Jennifer Sapiel Neptune, Spirit of the Basket Tree, Wabanaki Ash Splint Baskets from Maine, Hanover, New Hampshire: Trustees of Dartmouth College, 2008, ill. p. 16.
Provenance
Collected by Glover Street Hastings III, West Newton, Massachusetts and Bridgeton, Maine, 1939; bequeathed to his daughter, Carlena Hastings Redfield (1888-1981), 1949; bequeathed to present collection [under the terms of her father's will], 1981.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu