Guacal (Carved Gourd), "United Fruit"
Unknown Guatemalan, Guatemalan
collected early 20th century
Gourd
Diameter: 6 1/2 in. (16.5 cm)
Hood Museum of Art, Dartmouth: Gift of Donald D. Cutter, Class of 1945
158.2.14187
Geography
Place Made: Guatemala, Central America
Period
20th century
Object Name
Vessel
Research Area
Americas
Not on view
Inscriptions
Engraved: "United Fruit"
Label
Maya Indigenous communities across Central America have practiced gourd or guacal carving for thousands of years. Made from morro trees or jicaras, guacales are used for drinking corn and cocoa beverages. This guacal was likely commissioned by United Fruit Company (now known as Chiquita), combining its branding with the emblem of the United States. Surrounding the American eagle are the emblems of five Central American countries: Guatemala, El Salvador, Honduras, Nicaragua, and Costa Rica. With support from the United States, the United Fruit Company, beginning in the late 19th century and extending into the 20th, backed government coups across Central America in order to control the fruit market. Over this tumultuous period, United Fruit Company dispossessed Indigenous peoples of their lands, destabilized the biodiversity of the region, and imposed inhumane work conditions. By carving its insignia into a bowl rooted in Indigenous history and use, United Fruit Company used the guacal to symbolize their profits at the expense of Central American countries.
Course History
Spanish 9.02, Culture and Conversation, Mauricio Acuna, Spring 2024
Anthropology 3.01, Introduction to Cultural Anthropology, Charis Boke, Summer 2024
First Year Student Enrichment Program, Rachel Obbard, Summer 2024
Exhibition History
From the Field: Tracing Foodways Through Art, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 8-November 3, 2024.
Provenance
Collected by Florence Edith deJongh Cutter (1885-1957), in Guatemala, early 20th century; to her son, Donald deJongh Cutter (1923-1997), Hanover, New Hampshire; given to present collection, 1958.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu